I began my professional journey in 2007, not in a conventional office, but through an architectural competition. It was an environment where ideas had to be communicated with clarity, emotion, and precision. Looking back, it was there that I discovered the excitement of translating architecture into images: a fascination that has shaped my work ever since.

Over the years, I have collaborated with several leading architectural practices in Tehran, including Behzad Atabaki & Partners, Bonsar, VAAV Architects, and Hadi Tehrani. In 2021, I moved to Germany and started a collaboration with HENN architects, which has lasted to this day. Working alongside architects with different philosophies taught me that visualization is not simply about illustrating a project. It is about understanding the architect’s intention while developing an independent way of seeing. I have always tried to observe: sometimes even anticipating aspects of a project before they were fully articulated.

Today, my work moves between architectural visualization and photography, driven by a curiosity about how people, architecture, and perception shape one another.

For me, architecture is never an isolated object to be admired. It is a stage for everyday life and a host for the stories that unfold within it. My work explores the dialogue between the built environment and its inhabitants, where geometry, light, atmosphere, and movement come together to reveal the identity of a place. I am drawn to viewpoints that preserve the essential gestures of a building while allowing human presence to give them meaning.

I see image-making as more than a process of representation. Every image emerges from a conversation between observation, memory, technology, and imagination. The eye, the camera, digital tools, and artificial intelligence are not separate instruments but participants in the same creative dialogue. Rather than reproducing reality, I seek to interpret it—finding a balance between what a place is and what it can become through perception.

Perhaps that is why I have always been interested in the second layer, not in becoming the loudest voice in the image, but in revealing the relationships that quietly exist beneath its surface. My role is not to replace architecture with a narrative, nor to isolate architecture from life, but to create images where both become inseparable.